Monthly bill Hammond, renowned New Zealand artist, dies aged 74 | New Zealand

Renowned New Zealand artist Invoice Hammond has died, prompting an outpouring of grief and aroha from Kiwis. He was 74.

Hammond was born in Christchurch in 1947 and analyzed at the University of Canterbury University of Great Arts. He afterwards gained recognition for cityscapes incorporating features of movie noir, pop society and comedian e-book references. The Christchurch Art Gallery explained his do the job at a 2007 exhibition as “awash with visible sampling, splicing and mixing”.

Ahead of starting to be a entire-time artist in the 1980s, Hammond labored as a wooden toy maker, in a signal manufacturing unit, and as a jewelry designer.

Right after a excursion to the remote and windswept Auckland Islands in 1989, his operate started to include things like birds, which he utilised to examine a preoccupation with the surroundings and social justice concerns.

The Christchurch gallery wrote that Hammond was evidently “moved by the sight of hundreds of significant seabirds lined up on the rocky foreshore, staring out to sea.”

In a statement right after his dying, it praised his do the job as “original and unforgettable”, introducing that his exhibitions experienced been “extremely well-liked with website visitors from in close proximity to and far”.

“Bill has that uncommon high quality in an artist he’s somebody who is very regarded by his friends, but whose performs appeal to people today from all walks of lifestyle,” the gallery’s director, Blair Jackson, reported.

Lots of of his afterwards operates imagined a entire world without people – a topic also inspired by the Auckland Islands.

“The Auckland Islands are like New Zealand right before folks obtained below. It’s chicken land,” Hammond advised Gregory O’Brien for his e book Lands and Deeds.

His most well known do the job, The Tumble of Icarus (just after Bruegel), experiments the impacts of colonisation on New Zealand. Tutorial Lawrence Simmons described the do the job in an essay for B.210 magazine as depicting an: “An endlessly interpreted world in which virtually anything is metaphor and almost nothing just alone.”

Hammond rarely gave interviews but works have been thoroughly reproduced and dangle in galleries, relatives properties and student flats around the nation.

On Monday the New Zealand Herald explained him as just one of the country’s “most influential artists.”

On Twitter, New Zealand artwork critic Hamish Keith described Hammond as one of New Zealand’s “greatest artists” and a lovely person with a “unique eyesight from the really beginning,” even though Christchurch journalist James Macbeth Dann stated his favourite Hammond period was “the proto-grunge of his pink, punk canvasses of the 80s”.

Actor Sam Neill described him as a “sweet man humorous, gentle and energetic business. But as an artist – fiercely authentic and very just a damned genius.”

Ruth Dyson, a previous Christchurch MP, described Hammond on Twitter as a “legend” and an “extraordinary talent”.